TMB
Workbench / Tone & Signal

FMV Tone Stack

Fender / Marshall / Bassman frequency response.

Circuit

R1 slope 100 kΩC1 treble 250 pFC2 bass 100 nFC3 mid 47 nFTreble pot 250 kΩBass pot 250 kΩMid pot 10 kΩ

Controls

Treble
5.0
Bass
5.0
Middle
5.0

Drag knobs up/down, or use the sliders

FENDER '65 TONE STACK RESPONSE20501002005001k2k5k10k20k-50-40-30-20-100FREQUENCY (Hz)dBscoop 850 Hz
All knobs at 5T5.0 B5.0 M5.0
Level @ 1 kHz
-22.8 dB
Mid scoop
850 Hz
-22.9 dB
Peak level
-15.7 dB
relative to input
inC1250 pFTreble250 kΩoutR1100 kΩC2100 nFBass250 kΩC347 nFMid10 kΩ
FMV (Fender / Marshall / Vox) passive tone stack
Engineering Notes

How it works

The FMV tone stack, used in Fender, Marshall and (in modified form) Vox amplifiers, is a passive network that cannot boost, only cut. With all controls at mid-position it produces the famous mid-scoop, a dip of 10–20 dB somewhere between 300 Hz and 1 kHz. The "treble", "bass" and "middle" knobs interact strongly because every component influences every path.

  • Treble path: C1 couples high frequencies directly to the top of the treble pot; the wiper picks them off.
  • Bass path: the slope resistor R1 feeds C2 and then the bass pot, which raises the bottom of the treble pot above ground.
  • Middle: the mid pot lifts the whole network from ground. At "0" the mid frequencies are heavily shunted.

Rather than using closed-form equations, this calculator builds the actual network (nine elements, six nodes) and solves it with a complex nodal analysis at 200 frequencies. Bass and treble pots use an audio (logarithmic) taper approximated by:

R_wiper = R_pot · (10^(2x) − 1) / 99, x = knob/10

It assumes an ideal (zero-impedance) driving source (accurate for the cathode follower of a Marshall, slightly optimistic for a Fender's plate-driven stack) and a 1 MΩ load.